Athenian Agora Excavations - Publications, excavation reports, excavation notebooks, contexts, objects, plans and drawings, and photos from the Agora
Corinth Excavations - Publications, excavation reports, excavation notebooks, contexts, objects, plans and drawings, and photos from Ancient Corinth
Alison Frantz Photos - Images by photographer and archaeologist Alison Frantz (1903-1995) depicting Archaic and Classical sculpture, Greek archaeological sites and various finds. The collection was created between the late 1940’s – early 1970’s.
Dorothy Burr Thompson Photos - Images from Dorothy Burr Thompson (1900–2001), excavator and leading expert in ancient terracottas. The collection covers the period 1923-1955, and includes images from her travels in Greece, Turkey and Italy. In addition to the archaeological information, the collection is a mosaic of information about architecture, landscapes and customs that no longer exist.
Archaeological Photos - Documents the field activities of the American School from its establishment in 1881 until WW II, with valuable and rare images recording restoration of the Erechtheum on the Acropolis in the early 20th c., the identification of the Choregic Monument of Nikias on the South Slope of the Acropolis, the discovery of the Sanctuary of Eros and Aphrodite on the North Slope of the Acropolis in the 1930’s, the excavations at the site of Dionysus in northern Attica, the restoration of the Lion of Amphipolis, and general views of Athens.
Historical Photos - Various photographs from the archives in the Gennadius Library documenting moments of Greek history, from the late 19th to the early 20th century. Photos are collected from the Dragoumis family, the papers of Athanasios Souliotis, Nikolaos Mavris and others, as well as from the papers of author Stratis Myrivilis who fought in the Balkan Wars and the Greek-Turkish War (1919-1922).
Ion Dragoumis Letters - Letters of diplomat and Greek Parliament member Ion St. Dragoumis, covering the period 1895-1920. The Macedonian struggle, the Balkans and the Ottoman Empire, the Greek language and the use of the Demotic, are some of the issues that appear in Dragoumis’ correspondence.
Marble fragments from the Sanctuary of Eros and Aphrodite. Left: fragment of a large archaic palmette of coarse-grained island marble, part of a ridge acroterion (?). Right: fragment of a marble decoration with broad acanthus leaf carved on the top; coa
Top shot: Red-figure and black-figure sherds and a flask from the Sanctuary of Eros and Aphrodite. Left: Fragment of a red-figured lekythos with the figure of quadriga. Middle: small fragment of a black-figured amphora with a row of athletes on the neck
Late ceramic/terracotta objects from the Sanctuary of Eros and Aphrodite. Top: small flask with two perforated lugs. The reverse side of AK 0791 (right). Depicts a man seated sideways on an ass or a horse. Bottom: Upper half of a mould for a Christian l
Figurine of a sleeping baby, with his knees drawn up and his head resting on his hands. Found at the east end of the Cave on the North Slope, next to the Sanctuary of Eros and Aphrodite. Likely a votive object from the Sanctuary; not earlier than end o
Small sherd of a large black-figured vase, Attic in clay and letter forms, but resembling Corinthian work in design. Has 4 figures: in front is a nude male figure embracing a woman; behind are two men, probably walking - first one is Damas and he carries
Marble hoof of an Archaic horse, slightly smaller than lifesize, made of white island marble. Found as part of a pair, almost certainly from the same horse. Seems to have been broken off from a base which is cut in the same piece of marble as the figure
Inscribed stele from the Acropolis Wall, goes with the base AK 0805. Letters are carefully cut and filled with red color. Letter forms indicate a date about the middle of 6th century BC. A cutting for a statuette on top of the stele revealed the nature
E.M. 12711. Small fragment of inscription on blue limestone found slightly north of the Sanctuary of Eros and Aphrodite. The inscribed surface is comparatively rough. This fact, as well as the material on which the inscription is cut, seems to indicate