Athenian Agora Excavations - Publications, excavation reports, excavation notebooks, contexts, objects, plans and drawings, and photos from the Agora
Corinth Excavations - Publications, excavation reports, excavation notebooks, contexts, objects, plans and drawings, and photos from Ancient Corinth
Alison Frantz Photos - Images by photographer and archaeologist Alison Frantz (1903-1995) depicting Archaic and Classical sculpture, Greek archaeological sites and various finds. The collection was created between the late 1940’s – early 1970’s.
Dorothy Burr Thompson Photos - Images from Dorothy Burr Thompson (1900–2001), excavator and leading expert in ancient terracottas. The collection covers the period 1923-1955, and includes images from her travels in Greece, Turkey and Italy. In addition to the archaeological information, the collection is a mosaic of information about architecture, landscapes and customs that no longer exist.
Archaeological Photos - Documents the field activities of the American School from its establishment in 1881 until WW II, with valuable and rare images recording restoration of the Erechtheum on the Acropolis in the early 20th c., the identification of the Choregic Monument of Nikias on the South Slope of the Acropolis, the discovery of the Sanctuary of Eros and Aphrodite on the North Slope of the Acropolis in the 1930’s, the excavations at the site of Dionysus in northern Attica, the restoration of the Lion of Amphipolis, and general views of Athens.
Historical Photos - Various photographs from the archives in the Gennadius Library documenting moments of Greek history, from the late 19th to the early 20th century. Photos are collected from the Dragoumis family, the papers of Athanasios Souliotis, Nikolaos Mavris and others, as well as from the papers of author Stratis Myrivilis who fought in the Balkan Wars and the Greek-Turkish War (1919-1922).
Ion Dragoumis Letters - Letters of diplomat and Greek Parliament member Ion St. Dragoumis, covering the period 1895-1920. The Macedonian struggle, the Balkans and the Ottoman Empire, the Greek language and the use of the Demotic, are some of the issues that appear in Dragoumis’ correspondence.
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Fragments of red-figured kylix from Y-Z. Several fragments of a red-figured kylix. Of the decoration is preserved most of the figure of an ithyphallic satyr advancing to the right toward a maenad. The tail of the satyr is added in a purplish brown color
Two Byzantine vases. The two vases of sgraffito ware, shown in this photograph came from the fill of a small pit at the north edge of the main area. The plate on the left has high, almost vertical, rim and a low base-ring. The clay is hard and well fired,
Two bowls of Turkish times. Two flat bowls decorated with designs in the same technique, were found in the fill close to the church of the Savior. The bowl on the left is a chafing dish with broad flat rim, projecting on the outside, and below it a slight
Public Standard of Measure from Well M. It is made of heavy fabric, well polished, but unglazed on the outside, and covered with a black glaze on the inside. The outside decoration consists of a band of seven ridges at the top, and a similar band at the
Black-figured lekythos from Y-Z. The neck and most of the shoulder are missing. In the centre of the scene is a horse to left and behind him stands a figure, apparently female, wearing an outer cloak with a border of white dots and a purple stripe. She
Loutrophoros hydria from Y-Z. In the centre of the main zone two female figures stand facing each other holding a large wreath. Their hands and arms are concealed beneath their cloaks, which hang like shawls from the shoulders. The cloak of the left fig
Loutrophoros hydria from Y-Z. In the centre of the main zone two female figures stand facing each other holding a large wreath. Their hands and arms are concealed beneath their cloaks, which hang like shawls from the shoulders. The cloak of the left figur
Black-figured pitcher from Y-Z. The pitcher is painted black except for the panel in front reserved for the decoration. Below this panel is a purple line, and on the neck is a double row of ivy leaves below a meander pattern. The reserved part probably in
Black-figured amphora from Y-Z. Most of the vase is covered with a mottled red and black glaze. Above the base is a reserved band with a pattern of rays, and on either side of the body is a reserved panel. The clay is brick red and coarse, and seems to h
Black-figured amphora from Y-Z. Most of the vase is covered with a mottled red and black glaze. Above the base is a reserved band with a pattern of rays, and on either side of the body is a reserved panel. The clay is brick red and coarse, and seems to h
Miniature vases from Well M. Top row left to right: Small skyphos with double purple line below the handles and reserved bands above the base and on the underside. Miniature skyphos of the Corinthian shape, covered with a poor black glaze which has larg
Two black glazed vases. Left: Black-glazed amphora. Right: Stemless kylix. On the handle zone, a chain of vertical palmettes. Late sixth - early fifth centuries B.C.
Two Hellenistic vases.
Top: Black glazed Attic ware. Left: a krateriskos. Center: a stemless cup. Right: a miniature cup-kotyle.
Left: Larger plate. Right (smaller plate): a low black glazed bowl or "dishie", with a ring foot and an incuring rim. Four palmettes on the interior.
Top row, left to right:Fragment of krater, from the side with offset rim. On the top of the rim, sets of parallel lines. On the outside, a chain of diamonds with central dots. On the inside, a vertical panel of diamonds flanked by three vertical lines. Th
Black-figured amphora and hydria sherds. Top: Fragment of "amphora" (Aropolis I 759 a-e). Quadriga in front view. Fragment from the side. First quarter of the sixth century B.C. Bottom: Two fragments of hydria (Acropolis I 812 a-c). On the shoulder, a
Black-figured kylikes. (Cups with straight rim, not an offset one). Left: Fragment of kylix with inner picture reaching to the edge of the interior. Three men proceeding to right with the horses they are leading; traces of a fourth horse. One of the men
Panathenaic amphora sherds. Top row, left to right: Fragment of the obverse. The head and neck of the cock at the left of Athena. At the top, part of the tongue border; at the left, the edge of the panel. Fourth century B.C. Three fragments of the obver
Black-figured plate sherds. Top left: Fragment of the foot and centre and the start of the rim of a plate, with a ridge at the point of junction, on the upper side. Man and woman. The head and the upper part of the breast of a draped and bearded man to